Orchestrations from Hollow Knight paired with Shostakovich’s Piano Trio No. 2. While sharing a similar grit due to its setting in the ruins of a fallen kingdom, the former adds a levity that balances the gravitas of Shostakovich’s writing.
The orchestrations of Journey sway between the thrill of adventure and deep introspection. Mirage’s program was filled with pieces that capture the same: Barber’s Adagio, Jenkins’ Palladio, and the chilled beat of Woolf’s Native Tongues for beatbox flute and strings.
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With the adventurous themes of Coleridge-Taylor’s Nonet, this musical journey contrasts darkness with light, despair with hope, creating a rich auditory experience that celebrates determination, silent strength, and the reward of life’s simple joys.
With the adventurous themes of Coleridge-Taylor’s Nonet, this musical journey contrasts darkness with light, despair with hope, creating a rich auditory experience that celebrates determination, silent strength, and the reward of life’s simple joys.
The orchestrations of Journey sway between the thrill of adventure and deep introspection. Mirage’s program was filled with pieces that capture the same: Barber’s Adagio, Jenkins’ Palladio, and the chilled beat of Woolf’s Native Tongues for beatbox flute and strings.
With the adventurous themes of Coleridge-Taylor’s Nonet, this musical journey contrasts darkness with light, despair with hope, creating a rich auditory experience that celebrates determination, silent strength, and the reward of life’s simple joys.
The orchestrations of Journey sway between the thrill of adventure and deep introspection. Mirage’s program was filled with pieces that capture the same: Barber’s Adagio, Jenkins’ Palladio, and the chilled beat of Woolf’s Native Tongues for beatbox flute and strings.